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THE CREATIVE POTENTIAL OF “THE TAO OF POOH” BY B. HOFF

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dc.contributor.author Korotkova, L. V.
dc.contributor.author Короткова, Л. В.
dc.date.accessioned 2020-06-18T11:09:01Z
dc.date.available 2020-06-18T11:09:01Z
dc.date.issued 2013
dc.identifier.uri http://eKhSUIR.kspu.edu/123456789/10809
dc.description Korotkova, L. V. The Creative Potential of “The Tao Of Pooh” by B. Hoff / L. V. Korotkova // «Научная дискуссия : вопросы филологии, искусствоведения и культурологии» : матер. XI Междунар. заочной науч.-практ. конф. (г. Москва, 30 апреля 2013 г.). – Москва : Изд. «Международный центр науки и образования», 2013. – С. 192–207. uk_UA
dc.description.abstract “The Tao of Pooh” by Benjamin Hoff is considered in the context of its creative potential, the existence of expressive means and stylistic devices on all language levels, most of which focused on graphic, syntactic and lexical levels. The basic graphic expressive means of this work of postmodern literature are: the unusual placement of paragraphs; alternation of fonts, different in size and style; the usage of spaces between different fragments of the text; the unusual arrangement of words and lines. They serve as text markers and accentuate the main idea of this work of literature. The convergence of graphic and phonetic expressive means and stylistic devices, which helps to create a chaotic structure in a postmodern text, is known as multimedia effect. The postmodern worldview creates a special type of artistic perception in which understanding of a literary text is not important but the process of experimentation with it. uk_UA
dc.subject expressive means uk_UA
dc.subject stylistic devices uk_UA
dc.subject language level uk_UA
dc.subject convergence uk_UA
dc.subject multimedia effect uk_UA
dc.title THE CREATIVE POTENTIAL OF “THE TAO OF POOH” BY B. HOFF uk_UA
dc.type Article uk_UA


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