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Orff’s stage cantata “Carmina Burana” as an example of Bach tradition set in music of the XX century

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dc.contributor.author Chekhunina, A. C.
dc.contributor.author Чехунина, А.
dc.date.accessioned 2021-01-28T06:51:48Z
dc.date.available 2021-01-28T06:51:48Z
dc.date.issued 2015
dc.identifier.uri http://ekhsuir.kspu.edu/123456789/13349
dc.description Chekhunina, A. C. Orff’s stage cantata “Carmina Burana” as an example of Bach tradition set in music of the XX century / A. C. Chekhunina // Harvard Journal of Fundamental and Applied Studies, [Editor-in-Chief: Prof. Ronald Hall, D. G. S. (USA)].– No.1. (7) (January-June). Volume VII. «Harvard University Press», 2015. – Р. 811-817. uk_UA
dc.description.abstract The article analyses and generalizes the manifestation of the “Bach’s signs” in the individual stylistic sets of Carl Orff (case study of the stage cantata “Carmina Burana”). В данной статье проанализированы и обобщены проявления «знаков Баха» в индивидуально-стилистических установках К. Орфа (на материале сценической кантаты «Carmina Burana»). uk_UA
dc.subject Bach tradition of the XX century uk_UA
dc.subject "Bach's signs" uk_UA
dc.subject individual stylistic set uk_UA
dc.subject cantata uk_UA
dc.subject choral uk_UA
dc.subject Бахианство XX века uk_UA
dc.subject «знаки Баха» uk_UA
dc.subject индивдуально- стилистическая установка uk_UA
dc.subject кантата uk_UA
dc.subject хорал uk_UA
dc.title Orff’s stage cantata “Carmina Burana” as an example of Bach tradition set in music of the XX century uk_UA
dc.title.alternative Сценическая кантата К. Орфа «Carmina Burana» как пример установки на бахианство в музыке XX века uk_UA
dc.type Article uk_UA


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