ДИРИГЕНТСЬКА МОВА ЯК СКЛАДОВА ТВОРЧОГО АСПЕКТУ ВИКОНАВСЬКОЇ КУЛЬТУРИ ДИРИГЕНТА

dc.contributor.authorКорнішева, Т. Л.
dc.date.accessioned2017-11-01T23:20:11Z
dc.date.available2017-11-01T23:20:11Z
dc.date.issued2014
dc.descriptionКорнішева, Т. Л. Диригентська мова як складова творчого аспекту виконавської культури диригента // Proceedings of the international Scientific and Practical Conference “Scientific and Practical Results in 2014, Prospects for Their Development, Vol.II (December 22-24, 2014, Dubai, UAE)” – Dubai. : Rost Publishing, 2014. – P. 150-156.uk_UA
dc.description.abstractThis article explores the specific aspects of the conductor’s language, expressed by plastic movements with an emphasis on individual musical elements. This musicality of movements is the relationship of music and movement (gesture) that arose in the process of a certain musical experience - were one of the grounds of professional principles of conducting.uk_UA
dc.identifier.urihttps://ekhsuir.kspu.edu/handle/123456789/4220
dc.language.isouauk_UA
dc.titleДИРИГЕНТСЬКА МОВА ЯК СКЛАДОВА ТВОРЧОГО АСПЕКТУ ВИКОНАВСЬКОЇ КУЛЬТУРИ ДИРИГЕНТАuk_UA
dc.typeArticleuk_UA

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