Orff’s stage cantata “Carmina Burana” as an example of Bach tradition set in music of the XX century

dc.contributor.authorChekhunina, A. C.
dc.contributor.authorЧехунина, А.
dc.date.accessioned2021-01-28T06:51:48Z
dc.date.available2021-01-28T06:51:48Z
dc.date.issued2015
dc.descriptionChekhunina, A. C. Orff’s stage cantata “Carmina Burana” as an example of Bach tradition set in music of the XX century / A. C. Chekhunina // Harvard Journal of Fundamental and Applied Studies, [Editor-in-Chief: Prof. Ronald Hall, D. G. S. (USA)].– No.1. (7) (January-June). Volume VII. «Harvard University Press», 2015. – Р. 811-817.uk_UA
dc.description.abstractThe article analyses and generalizes the manifestation of the “Bach’s signs” in the individual stylistic sets of Carl Orff (case study of the stage cantata “Carmina Burana”). В данной статье проанализированы и обобщены проявления «знаков Баха» в индивидуально-стилистических установках К. Орфа (на материале сценической кантаты «Carmina Burana»).uk_UA
dc.identifier.urihttps://ekhsuir.kspu.edu/handle/123456789/13349
dc.subjectBach tradition of the XX centuryuk_UA
dc.subject"Bach's signs"uk_UA
dc.subjectindividual stylistic setuk_UA
dc.subjectcantatauk_UA
dc.subjectchoraluk_UA
dc.subjectБахианство XX векаuk_UA
dc.subject«знаки Баха»uk_UA
dc.subjectиндивдуально- стилистическая установкаuk_UA
dc.subjectкантатаuk_UA
dc.subjectхоралuk_UA
dc.titleOrff’s stage cantata “Carmina Burana” as an example of Bach tradition set in music of the XX centuryuk_UA
dc.title.alternativeСценическая кантата К. Орфа «Carmina Burana» как пример установки на бахианство в музыке XX векаuk_UA
dc.typeArticleuk_UA

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