ENGLISH LITERARY PARADOX: A STYLISTIC ANALYSIS

dc.contributor.authorKorotkova, L. V.
dc.contributor.authorКороткова, Л. В.
dc.date.accessioned2020-06-18T10:23:31Z
dc.date.available2020-06-18T10:23:31Z
dc.date.issued2013
dc.descriptionKorotkova, L. V. English Literary Paradox : A Stylistic Analysis / L. V. Korotkova // «Филология и культурология : современные проблемы и перспективы развития». Ежемесячный научно-практический журнал «Апробация» : материалы V Междунар. науч.-практ. конф. - Махачкала : НИЦ «Апробация», 2013 г. – № 11(14). – С. 29–33.uk_UA
dc.description.abstractParadox, as a phenomenon, along with the examples that illustrate it, is the subject of many books and papers in mathematics, logic, and philosophy. In the present article we will concentrate on the application of paradox as a distinguishing feature of a literary language. The paradox is the basic stylistic device, accompanied by other stylistic devices, in the works of the most paradoxical writer of the nineteenth century, as the most critics agree – O. Wild. Paradox in Wilde's masterpieces consists in stating the opposite of a received opinion; in other words, paradox contradicts not itself but common sense.uk_UA
dc.identifier.urihttps://ekhsuir.kspu.edu/handle/123456789/10804
dc.subjectparadoxuk_UA
dc.subjecttruthuk_UA
dc.subjectantithesisuk_UA
dc.subjectironyuk_UA
dc.subjectoxymoronuk_UA
dc.subjectpunuk_UA
dc.subjectrepetitionuk_UA
dc.titleENGLISH LITERARY PARADOX: A STYLISTIC ANALYSISuk_UA
dc.typeArticleuk_UA

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